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In 1851, Brown wrote to a friend that the works of Hunt and Millais "already kill everything in the exhibition for brilliancy".
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The 'Wet-white' technique was apparently used only on those parts of a painting where brilliancy was required. Hunt states that he used it for the heads, hands and the brighter costumes of the painting 'Valentine Rescuing Sylvia from Proteus' of 1851.| < Prev | Next > |
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Where Wet White Was Used
Where Wet White Was Used 
Where Wet White Was Used |
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In 1851, Brown wrote to a friend that the works of Hunt and Millais "already kill everything in the exhibition for brilliancy".
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